A person with straight, shoulder-length black hair and bangs poses with hands behind their head. They have light makeup, glossy lips, a piercing on the lower lip, and wear a white collared shirt against a light green background.

Yves on the rise with pop hit after hit

The K-pop girl group member-turned-soloist chats with JoySauce about her latest EP, collaborations, and more

You might recognize Yves from her time in the South Korean girl group LOONA.

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Yves is coming off of her biggest year yet.

Known from her time in the South Korean girl group LOONA, and now as a solo artist who has been making music on her own since May 2024, the singer/songwriter is cementing herself as a pop girl on the rise. Her two 2024 EPs LOOP and I DID, earned spots on Billboard’s Best K-Pop Albums of 2024, and introduced her fanbase to a new version of herself and her artistry. Her solo work leans into a hyperpop, R&B sound accompanied by more moody visuals, and more emotionally driven lyricism that explores walking away from love and the freedom that comes along with it.

We had the opportunity to connect with her about her recent New York trip, her latest EP Soft Error, and more about her artistic eye. With collaborations with artists like PinkPanthress and Rebecca Black, she is sure to build on her momentum in the coming year. 

This interview has been edited for clarity and length.

Bri Ng Schwartz: You were in New York for KOOM Festival back in the Fall. What was your favorite part of that experience?
Yves: Since KOOM Festival wasn’t my own concert but a festival, I was quite nervous at first. But the fans prepared a banner event during my set, and it made me feel so warm and emotional while I was performing. Hearing the crowd sing along to my lyrics and seeing the Orchard Piece, my official light stick, sparkling across the huge venue made me incredibly happy and energized—it really helped me give my best performance. Especially watching the fans in the front row smiling and nodding along throughout the show eased my nerves and turned them into a sense of calm. All of that support truly gave me courage on stage.

A person with short, dark hair and bangs wears a black long-sleeve top, looking directly at the camera with a thoughtful expression and a finger near their lips. The background is blurred and industrial.

Yves released her latest EP, "Soft Error," in October.

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BNS: You recently released your newest EP, Soft Error. What excites you most about the project?
Y: Soft Error was exciting because it pushed me to take bolder creative steps than in my previous work. Musically, I experimented with using my voice almost like an instrument, even intentionally distorting it with effects to create new textures that blend into the music. Visually, I also transformed—cutting my hair short and embracing a new image. I wanted this album to show listeners that my team and I are constantly evolving, and to make them curious about what we’ll do next.

BNS: You’ve created such a strong visual aesthetic. Who are some artists across other mediums that you feel inspired by right now?
Y: It’s hard to pick just one artist, but I think a lot of my inspiration traces back to my childhood. My mom used to run a vintage shop, and I loved spending time there mixing and matching different clothes just for fun. That experience really shaped my visual sense and style today. Instead of being influenced by one person, I try to collect inspiration gradually—by regularly  buying magazines or curating Pinterest boards. Lately, I’ve been drawn to avant-garde aesthetics and have been saving a lot of references in that direction.

A woman in five different poses appears around a gym-like room, wearing a brown sweater, brown shorts, and tan lace-up boots. The setting includes gymnastic rings, a hoop, benches, and a pommel horse against a worn wall.

Much of Yves's inspiration comes from her childhood.

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BNS: You’ve had some iconic collaborations: PinkPantheress, Bratty, Rebecca Black. What do you value most in a collaborator?
Y: When selecting collaborators, my creative team and I think not only about how our vocals will blend but also about the artist’s overall visual identity and aura. I really value artists who have a distinctive character and sound, yet can naturally blend with me to create a new kind of synergy.

BNS: Outside of pop, are there any other genres you’d like to dip your toe into?
Y: I love writing—especially poetry and short essays—as a hobby, and I even run a small blog page. Fans often tell me, “Your writing could be turned into lyrics!” Hearing that made me want to one day create a Korean piano ballad, with lyrics that capture my thoughts and emotions in a really raw and honest way.

BNS: What has been the most rewarding part of your solo career thus far?
Y: Every moment has been meaningful, but one of the most rewarding times was completing my first solo showcase and wrapping up promotions for my debut single, “LOOP.” The sense of accomplishment that I had done it all on my own melted away so many fears and doubts I carried. Hearing fans say things like, “I’m excited for the path you’re taking—I want to keep supporting you,” was incredibly touching. Even now, that moment reminds me why I keep pushing forward.

A woman in a white hoodie and tutu crouches on the floor, holding the paw of a black robotic dog. She has long braids and is surrounded by scattered black balls, with a gray wall and stanchions in the background.

Yves has collaborated with PinkPantheress, Bratty, Rebecca Black, and more.

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BNS: What can fans look forward to in the coming year?
Y: I’ll soon be diving into preparations to show a new side of myself. This year, I want to focus more on songwriting and share more tracks that I’ve written myself—like “Ex Machina.” I also hope to perform on bigger stages and create more chances to meet fans around the world. I’ll keep growing step by step as an artist and show that evolution through new projects and music, so please look forward to it!

Published on January 1, 2026

Words by Bri Ng Schwartz

Bri Ng Schwartz is a writer and arts administrator based in Brooklyn. Her writing has included artist interviews and profiles, music festival and theater reviews. She has been featured in publications including Mixed Asian Media, LADYGUNN, The Amp and more. She is also the education and community outreach manager at Primary Stages. Follow her on instagram at @bri.ng.schwartz and check out her writing at https://linktr.ee/BreezeLinktree.