A still frame from "Moana 2."

Hualālai Chung’s Moni is ‘one of the bigger hearts’ of ‘Moana 2’

The actor, alongside producer Christina Chen, on their upcoming film and how getting lost can help you find where you need to go

From left, Moana (Auliʻi Cravalho), Kele (David Fane), Moni (Hualālai Chung), and Loto (Rose Matafeo) in "Moana 2."

Disney

Words by Samantha Pak

In 2016’s Moana, the title character goes on an adventure across the ocean in order to save her island of Motunui, and her people. In Moana 2, she embarks on another ocean adventure—this time answering the call from her wayfinding ancestors, rather than the ocean itself.

Moana 2, which will be released in theaters Wednesday, takes place three years after the events of the first film, and follows Disney’s first-ever Pacific Islander princess as she sets off for the far seas of Oceania to find others beyond her island. Once again voiced by Auliʻi Cravalho, Moana is reunited with Maui the demigod (voiced by Dwayne Johnson), and this time, they’re joined by a crew of unlikely seafarers.

Among that crew is Moni, voiced by Native Hawaiian actor Hualālai Chung. Moni is the designated storyteller, inspired by the oral storytelling cultures of Pacific Island peoples. He’s also a bit naive—not to mention a huge Maui fanboy—but his knowledge of the history and myths of Oceania is impressive and may just come in handy on the open waters.

I recently had the opportunity to speak with Chung, as well as Christina Chen, one of the film’s producers. We chatted about the importance of representation, how they ensured accurate representation, and how getting lost in the ocean can actually be a good thing. I also asked Chung about his upcoming role in the live-action Lilo and Stitch film, which is scheduled for a summer 2025 release.

This interview has been edited for clarity and length.

Actor Hualālai Chung and Christina Chen

From left, "Moana 2" actor Hualālai Chung and producer Christina Chen.

Samantha Pak

Samantha Pak: Who is Moni and how does he factor into the story?
Hualālai Chung: In the evolution of Moana’s story, and in the growth of Moana’s mission to venture out and find more people, she has to build a crew. She's taking a larger boat, and demands more help. In doing so, she recruits Moni as her oarsman. But more so, Moni is the historian of Motunui, so he serves a purpose in reciting some of the legends and tales that help in navigating their ways through the ocean.

Aside from that, I always like to say that Moni is one of the bigger hearts of the movie. He's everybody's best friend, he's whimsical, he's funny. He is so warm hearted to the point where sometimes he doesn't understand what's going on around him. [Laughs.] He's such an infectious character.

SP: And how did you get the part? How did you get connected with the movie?
HC: It's kind of a funny story. I didn't actually know what I was auditioning for at the time. I had received the audition details, and it was unlisted. (The part) had a local island flavor, and I remember thinking, “Let's not give up any opportunity that's not yours to give up.” It was about a month after that that we received a call from the casting department at Walt Disney Animation Studios, and I lost my mind. I grew up to be such a huge Disney fan, and on top of that, my culture is everything to me. To be able to finally partner with something that is so cultural, with one of my other loves, Disney—and what Disney does for people—is a dream come true.

SP: Whether or not it was Disney, how did it feel to know that there was a project out there that was specifically looking for voices and actors to represent your culture?
HC: Oh, it's huge. Being in Hawaii, we're making immense strides to create more media and to create more opportunities to tell our stories. We look to our cousins of Aotearoa (New Zealand), who do that all the time. They have modern-day sitcoms that are voiced in Maori, their native tongue. So to see the evolution of culture and the progression of culture being integrated into modern media, modern film, television is huge for us.

I got to screen the movie for the first time this past weekend, and to see so many different iconic aspects of our culture, as Polynesians, being depicted in the film, that was actually the part that made me cry the most, honestly. The most heartwarming was seeing these different elements of our culture being displayed in a Disney film. That was huge.

SP: Christina, can you tell me a little bit about the process of involving consultants and people from the culture to make sure you guys got it right?
Christina Chen: We worked with our Oceanic Culture Trust, led by Kalikolehua Hurley, and to Kalikolehua’s credit, on the first film, she really led the charge in setting this high bar—making sure that the culture was represented in a way that authentically fit with the story. And it was such a powerful way to shine the light on the Pacific Islander community and empower them, because these cultural consultants lend a voice of authority. They helped shape the storytelling of our film.

We worked with Nainoa Thompson, and he is this amazing, incredible navigator. We talked to him about, what does it mean to feel lost in an ocean? What does a storm look like? These conversations really fueled the inspiration for the writers, the directors, and myself in really trying to say, “How does this feel for Moana to be in a storm?” Working with these consultants is critical.

SP: What was one thing that you were surprised to learn? Whether about navigating or being on the ocean, or from this whole experience?
CC: One thing that's pretty amazing is that Nainoa Thompson told us that for most people, getting lost is the most terrifying thing in a storm—that's the thing you don't want to do. He told us, actually getting lost is a pathway to magic. And I was like, “Gosh, it's such a beautiful way to encompass not only what it must be like to be a navigator on the ocean, but all of our lives too.” We’re all afraid of being lost or not knowing what to do. I’ve really got to remember this in my life—that getting lost and not knowing what to do is okay. It’s sometimes a different way to find where you need to go.

Never be afraid to evolve to who you want to be. Never let the confines of your surroundings and your environment keep you from being who your heart tells you to be.

SP: Hualālai, Moni is the storyteller, the historian of the crew and that helps them once they are lost. Is that something you could relate to in your personal life?
HC: There's a phrase, a proverb in Hawaiian culture. It (translates to), “What comes ahead of us is from what came before us.” We will move ahead by looking at the past. Playing into Moni being a historian, I think culturally, we oftentimes try to grow by looking at things that have come before us. You learn a lot about yourself, the things that you've done and how you want to move forward, the people that you want to move forward with. And I think that's a very universal thing for a lot of people.

Even in the concept of being lost. When you feel like you experienced so much and have gotten so little, you have nowhere to go but anywhere your heart desires. Having the confidence to strive for anything that you want because of where you've been, is a huge model that everybody could learn from, and everybody could really connect with. That's pretty much a big underlying theme of Moana, both in the first movie and in the next movie: Never be afraid to evolve to who you want to be. Never let the confines of your surroundings and your environment keep you from being who your heart tells you to be.

SP: In Moana 2 they're expanding. She's got the whole crew, and a little sister. We're seeing the community grow. That also means growing opportunities for Pacific Islander artists and actors. I know with animated projects, people don't always get to work with their colleagues. Were you actually able to meet some of your co-stars?
HC: The cool thing about being in Hawaii is everybody wants to come to Hawaii. [Laughs.] I've had the opportunity to work remotely with the team, but also I've been able to work with some of the team that's flown into Hawaii. I've made the journey over to Burbank and L.A. to work with a bunch of the team.

And the fun part about having a cast that's so representative of Polynesia, the culture, and the Pacific Islands, is that at some point in time, a lot of them have made their way through Hawaii. And the beauty of today's day and age is you can connect simply with the click of a few buttons.

A still frame from "Moana 2."

From left, Loto (Rose Matafeo), Moni (Hualālai Chung), Moana (Auliʻi Cravalho), and Kele (David Fane) in "Moana 2."

Disney

SP: What has been your favorite part of being part of Moana 2?
HC: That is so hard to dial down. But I will say there was a session that I had. I voiced lines that spoke to the idea of wanting to tell stories and be part of some of the most amazing tales all of my life, and never, ever thinking that I finally get to be in one. I remember being in Burbank at the studio. (Screenwriter and executive producer) Jared Bush was in the booth with me, and the rest of the team was in the control room. I just remember the weight of emotion piling up.

I remember standing there in that booth, reading those lines that spoke to that, and just thinking, “Holy moly! What is happening?” And that is something that I will take on for the rest of my life, and I will encourage everyone and anyone to strive to achieve.

SP: What was one of the challenges of doing this?
HC: In doing such a project, coming from the community I come from, we place a lot of pressure on ourselves, because we want to get it right. We want to make everybody proud. We want to do right by our people, by the entire Disney community, to create something that fulfills the love and the desire that everybody has built up in anticipation of the second movie.

The only thing that really got me out of that headspace, stress, and pressure was meeting everybody and realizing that we're all going through that. They wanted to give the fullness of themselves so that the community would enjoy the film, so that the entire audience would enjoy the film, and make it the best possible film and representation that it possibly could be. And that is something that I'm super proud to be part of.

SP: Okay, last question. This is not related to Moana. I know you're going to be in the live-action Lilo and Stitch, so is there anything you can tell me about that?
CC: Stitch dies, right?

HC: Yes, they all die, and then I become the main character of the film. [Laughs.] No, all I'll say is that you may not recognize me at first. But I'll be one of the first humans that Stitch ever meets.

CC: I haven't heard that either! Very cool.

HC: I’ll leave it at that.

Published on November 21, 2024

Words by Samantha Pak

Samantha Pak (she/her) is an award-winning Cambodian American journalist from the Seattle area and co-editor in chief for JoySauce. She spends more time than she’ll admit shopping for books than actually reading them, and has made it her mission to show others how amazing Southeast Asian people are. Follow her on Twitter at @iam_sammi and on Instagram at @sammi.pak.