442: Controversial celebrity coroner Thomas Noguchi elevated forensics for better or worse
The contentious “Coroner to the Stars” rode the celebrity wave to push forensics to the public consciousness
Thomas Noguchi is Los Angeles County's former chief medical examiner-coroner who solved many high-profile cases.
Photo illustration by Vivian Lai
Words by Caroline Cao
The 442: A JoySauce column named after the military unit, designed to school you (in all the best ways) on accomplished Asian Americans and Pacific Islanders of the past. Asians have been shaping American history, culture, food, politics, identity, and more for centuries—it’s time we acknowledge what’s been left out of most textbooks.
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Thomas Noguchi was 13 years old when an autopsy—a rare medical novelty at the time—exonerated his father from a medical malpractice accusation. A bereaved family accused his father of leaving a cotton swab in the deceased patient’s throat that caused a fatal suffocation, but the autopsy disproved that by revealing the patient died from an undetected allergy to iodine.
Born Noguchi Tsunetomi in 1927 in Japan’s Fukuoka Prefecture, Noguchi recounted this story in his 1983 memoir, Coroner, as a catalyst for rejecting inheriting his father’s practice in order to pursue forensic pathology, the medical process that helps determine a person’s cause of death. His peers warned him of the low salary for this career path, but for Noguchi, to investigate how someone died was to carve new paths to living better.
He graduated from Tokyo’s Nippon Medical School in 1951, immigrating to California the next year to complete his residency in pathology at Orange County General Hospital. In 1961, he became deputy medical examiner for Los Angeles County, a hotspot for Hollywood deaths.
On Aug. 5, 1962, when Noguchi slowly pulled back the white sheet, he was astonished to find himself performing the autopsy of Marilyn Monroe. To his chagrin, the office closed the case before he could push the toxicologist to test every organ other than her liver for drug contents, but as junior staff at the time, “I didn't feel I could challenge the department heads on procedures,” he admitted in his memoir. Noguchi suspected closing the case so quickly further stimulated the untamable public imagination, considering that forensics can yield approximate conclusions subject to professional disputes and public disbelief. Factions of the public doubted chief coroner Theodore Curphey’s ruling Monroe’s death as probable suicide, fueling speculation of foul play. Noguchi tasted his first firestorm as the “Coroner to the Stars.”
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"Coroner to the Stars," a documentary about Thomas Noguchi, came out this year.
Courtesy of "Coroner to the Stars" documentary
First term as chief medical examiner-coroner
With the advocacy of the Japanese American community, Noguchi was appointed as chief medical examiner-coroner of Los Angeles County in 1967.
He felt the scrutiny during his probationary first six months, during which he performed the autopsy of Sen. Robert F. Kennedy following his assassination (the only time in his career where he requested a person’s face be covered, so as to be “unshaken by (his) feelings for Kennedy”). As he examined Kennedy’s body, Noguchi repeated to himself, “No Dallas this time,” a mantra to avoid the reported mistakes of President John F. Kennedy’s autopsy, as the pathologist establishment considered the late president’s body mishandled. Noguchi’s autopsy on Robert F. Kennedy garnered praise among pathologists, but the coroner himself noted in his memoir an inescapable paradox: “The very thoroughness of my tests served only to give credence to a conspiracy theory.”
Noguchi concluded the fatal shot was fired into the back of Kennedy’s head three inches from the gun, contradicting the consensus of eyewitness reports stating that assassin Sirhan Sirhan shot from further away. Because Noguchi never officially ruled that Sirhan fired the fatal shot, conspiracy theories that a second gunman remained uncaught bubbled up. Per his memoir, Noguchi’s professional instincts believed Sirhan acted alone, but his forensics evaluation indicates a different possibility.
An attempted firing
Noguchi surmised that the coroner department, then stationed in the Hall of Justice basement without its own forensic science building, required more budget and staff to improve the quality of death investigations, which led to him making a political enemy of Los Angeles County’s chief administrative officer Lindon S. Hollinger. When Hollinger refused Noguchi’s request for a funding increase, the coroner went behind Hollinger’s back–which Noguchi’s memoir referred to the “cardinal sin of bureaucracy”–to reach out to the board of supervisors, Los Angeles County’s governing body, to request said funding and publicized the issue of underfunding death investigations.
Humiliated by Noguchi’s maneuvers, Hollinger pressured him to resign over the charge of mishandling Kennedy’s autopsy, wanting Noguchi to submit a resignation in exchange for a lesser pathologist job or be fired.
Noguchi’s Los Angeles-born microbiologist wife Hisako Nishihara (1922-2014)—who endured the illegal and unconstitutional incarceration of Japanese Americans in U.S. concentration camps during World War II—detected racism in her husband’s case and penned fierce letters to the board, newspapers, and politicians. She wrote, “There is nothing equal about this equal opportunity business if a minority group member has to have ten times more education to successfully compete against a member of the Caucasian race.”
Noguchi withdrew his resignation, which was countered by an official firing. Japanese American activists rallied for his reinstatement and formed the Japanese United in the Search for Truth (J.U.S.T), their movement supported by significant Black allies such as the L.A. branch of Congress for Racial Equality (C.O.R.E). In historian Anna Choi Lee’s biography on Noguchi, L.A. Coroner, it notes that Japanese American activist Jeffrey Matsui disliked Noguchi due to the postwar immigrant’s “proclivity for self-aggrandizement and his barely disguised contempt for many Nisei,” a reputation felt by many members of the Japanese American community. Still, Matsui persuaded activists that fighting for Noguchi–one of the few men of color in a high civil service office–was a cause for the Japanese American community against an anti-Asian atmosphere thwarting their upward mobility, especially after the U.S. concentration camps. An Asian American-centered Gidra newspaper commentary, dated April 1969, lauded that Noguchi’s public resolve “show[ed] that yellow people do not always roll over and play dead,” an aspirational visibility to quash Japanese American stereotypes of passivity.
The Civil Service Commission hearing presented allegations of Noguchi’s incompetency (refuted by Hollinger offering Noguchi another job), insensitivity (claims that he gleefully danced when Kennedy was dying and prayed for aircraft crashes), drug addiction (a later psychological examination ruled out Noguchi having a drug psychosis) and anti-Black racist treatment of staff (disputed by the defense’s testimonies, which included that of Noguchi’s Black staff members).
The dropped charges and Noguchi’s reinstatement heralded a critical juncture in Japanese American activism, which rippled into the fight for reparations for the concentration camps. In the early 1970s, as thanks to the community, Noguchi used his chief coroner position to sponsor a—albiet unsuccessful—resolution to request medical assistance for the American hibakusha, survivors of the American atomic bomb.
Speaker for the dead
Among Noguchi’s high-profile cases were analyzing and testifying the graphic murder scene of actress Sharon Tate and her friends, and declaring that an accidental heroin overdose claimed singer Janis Joplin. He also identified the long-lost corpse of western outlaw Elmer McCurdy (a saga depicted in the Dead Outlaw Broadway musical with Noguchi as a supporting character, played by Thom Sesma, singing a showstopper about Hollywood cadavers).
It is said that Noguchi’s “speaker for the dead” contributions inspired the eponymous pathologist of Quincy M.E., an influential medical crime drama that ran from 1979-83 on NBC. In the 2025 documentary, Coroner to the Stars, Star Trek actor George Takei—one of the activists who pushed for Noguchi’s reinstatement—pointed out the irony of Quincy M.E. giving the white lead Quincy (played by Jack Klugman) a Japanese American assistant (played by Robert Ito).
A second hearing and demotion
Noguchi reported on two celebrity deaths in November 1981, just two weeks shy of each other—actress Natalie Wood’s accidental drowning (a ruling subjected to questioning) and actor William Holden’s fatal fall—that mentioned their estimated alcohol intoxication. Noguchi tried to cautiously calibrate his words with Wood’s case, but his mention of a nonviolent dispute on her yacht (information he received thirdhand) between her husband and actor Christopher Walken threw headlines into a frenzy. Outraged, the Screen Actors Guild, as well as singer Frank Sinatra, campaigned for Noguchi’s firing, the latter writing to the county supervisor that Noguchi cast aspersions and violated the privacy of grieving families to bask in the limelight.
These controversies arose when the chief coroner faced overwhelming case logs against chronic underfunding, which Noguchi attributed to California voting in the taxpayer-revolt Proposition 13 that capped the state property taxes in 1978, and thus stymied funding needs. Then accusations of his administrative mismanagement—an overfixation on high-profile deaths at the expense of important tasks, improper disposal of human remains, and missing evidence such as a missing shirt in the Ron Settles case—triggered his second Civil Service Commission hearing. Noguchi also courted scrutiny by moonlighting as a consultant for non-office work to supplement his salary, additionally using the L.A. office for side jobs and pet projects (including the writing of his memoir).
This hearing didn’t mobilize as vocal an activist support system as his first one. In 1982, the board voted to demote Noguchi and his subsequent appeal for reinstatement failed. Exiled, Noguchi was transferred to the USC Medical Center as a pathologist and teacher.
Post-mortem
It perhaps remains debatable the magnitude of culpability Noguchi bore in the mismanagement that instigated his dismissal, although the succeeding L.A. chief coroner, Ronald Kornblum, confronted “staff shortages coupled with high homicide rate” and lacking storage space for bodies, not unlike the structural issues that besieged Noguchi’s later term.
Lakshmanan Sathyavagiswaran, who was trained by Noguchi, was appointed to the L.A. chief medical examiner-coroner office still subjected to “budget cuts and a reduced workforce”—and held the position from 1992-2013. (In 2012, Sathyavagiswaran approved an amendment to Wood’s death certificate as “drowning and other undetermined factors.”)
Many of the postmortems investigated by Noguchi were loaded with their own political, technological, social, personal, and enigmatic temperaments of their contexts, inflaming the debates around his evaluation and process. Opinions vary on whether Noguchi’s penchant for public statements befitted “telling it like it is” (adapted as a T-shirt slogan in the campaign for his reinstatement), or whether he overstepped to bask in the limelight. According to his memoir, he never sought fame but it came to him, and “I could not deny the ego charge, because I was proud of my accomplishments.” He also writes—or jests—that he couldn’t shake off his Japanese “sense of ceremony—and in America that’s called ‘showmanship.’”
To this day, Noguchi maintains that publicly delivering his findings could quell the worst rumors, inform the public’s right to know, and prevent future deaths.
Published on July 24, 2025
Words by Caroline Cao
Art by Vivian Lai
Vivian Lai is an experienced L.A.-based graphic and UI designer with a proven track record of problem-solving for diverse clients across industries. She is highly skilled in design thinking, user experience, and visual communication and is committed to staying up-to-date with the latest design trends and techniques. Vivian has been recognized for her exceptional work with numerous industry awards.