‘I Know What You Did Last Summer’ still really wants to be ‘Scream’ Nearly 30 years later, the ‘90s slasher series still flounders
‘Deadpool & Wolverine’ are back in a Marvel meta-sequel Hugh Jackman and Ryan Reynolds star in the latest lackluster superhero flick that wants to have its cake and eat it, too
‘Twisters’ in 4DX: Holy Sh*t! Lee Isaac Chung’s disaster sequel is immensely enjoyable in a shaking seat
‘Cobra Kai’ still rules As the first part of season six hits Netflix, we take a look back at the “Karate Kid” sequel
Kurosawa’s iconic ‘Seven Samurai’ turns 70 And unlike many of the films made in its image, this one is very much still worth a watch—again, or for the first time
‘Kalki 2898 AD’ is an original, eye-popping sci-fi epic, despite its major flaws Nag Ashwin’s mythologically inspired action saga is frustrating, but worth a look
‘Some Rain Must Fall’ frames a mother’s despondency and desire A quiet, powerful unraveling of middle class Chinese womanhood debuts at Tribeca
Hmong American drama ‘Bitterroot’ forages for tranquility A gentle family saga from the Tribeca festival weaves fears of climate change with spiritual isolation
‘Group Therapy’ formalizes comedic catharsis Six stand-up comics sit down to discuss their insecurities
‘Universal Language’ brings the Iranian New Wave to Winnipeg Matthew Rankin’s Cannes selection is a surreal embodiment of cultural yearning
‘Caught By the Tides’ dramatizes a changing China through two decades of footage The Cannes Film Festival plays host to the ultimate Jia Zhangke film
‘All We Imagine As Light’ is a radiant, radical film about Indian sisterhood The personal and the political are tightly wound in Payal Kapadia’s history-making Cannes drama
‘In Our Day’: Another relaxing reflection from Hong Sang-soo An introduction to the South Korean maestro through the lens of his 30th feature
If you liked ‘Drive My Car,’ you shouldn’t miss ‘Evil Does Not Exist’ Ryusuke Hamaguchi’s latest film is a dark, fable-like story that again illustrates how hard it is to pin the director down as an artist
Hasan Minhaj is ready for war in ‘Off With His Head’ A report from the comedian’s new stand up tour, which comes reinvigorated with righteous fury
The delightful deception of ‘Delicious in Dungeon’ Beyond the mouth-watering monster meals, the true flavor of this Netflix manga adaptation lies in its darker themes
‘Rebel Moon – Part Two: The Scargiver’ is another Zack Snyder Flub The first film’s equal and opposite, Netflix’s second entry might just derail the entire sci-fi series
Max’s Vietnam War Series ‘The Sympathizer’ is an Energetic Delight I’m seeing double: four Robert Downey Jrs!
JoySauce reviews ‘Cowboy Carter’ As an Asian American from the South, writer Teresa Tran has big feelings about Beyoncé’s new country album
Film Forum’s Japanese Horror Fest celebrates nightmare fuel Japan’s best films in their history of horror are finding new audiences years later
Vietnam’s Record-Smashing Rom-Com ‘Mai’ is a Perplexing Watch Trấn Thành’s newest film is the highest grossing Vietnamese movie of all time—maybe because it offers quite literally something for everyone
