Japanese game shows bring the joy you didn’t know you needed JoySauce TV offerings like “G Wars” and “Endless Pranks” are popular for a reason: they’re a light during complicated times
Na Hong-Jin’s ‘Hope’ is action packed, but barely scratches the surface The South Korean horror flick follows a police chief who finds his town attacked and killed by mysterious creatures
‘Sumo: Spirit Weighs Nothing’ is gorgeous, but whitewashes the sport From Japanese American director Erik Shira, Venice plays host to a documentary with religious reverence for its athletes.
Amita Rao continues to be wacky and empowered in ‘Adults’ Returning as Issa, the actress brings her comedic personality back into the spotlight for the sitcom’s second season
Director Alexander Ullom wants you to sit with the horror in ‘It Ends’ The filmmaker’s debut feature takes the existential dread of growing up online and traps four friends inside it—literally
Rob Yang on finding nuance and ambition in Hulu’s ‘Furious’ The actor unpacks his approach to the series’ dark world, and the importance of being part of this relevant series
‘Buddy’ turns nostalgia into a bloody nightmare If you’ve ever found Barney the Dinosaur creepy, this film might be for you
Rafael Manuel’s ‘Filipiñana’ exposes violence beneath a beautiful surface The filmmaker explains why his debut feature’s violence is universal and how behind the film’s pristine greens is a history of colonialism and displacement
Victor Paguia and the crazy life of a Hollywood stunt coordinator From “I Am Legend” to “FBI,” the Filipino American looks back on his career, his craziest stunts, and his first-ever Emmy nomination
Mahesh Pailoor on how Shalin Shah’s words became ‘Paper Flowers’ The filmmaker discusses his latest film, Shah’s message and lasting legacy, and how his words became a movie
Why are we seeing a backslide in diversity in Hollywood? Hollywood may be celebrating “KPop Demon Hunters” and “Sinners,” but the erasure of the Filipino roots in “Hexed” means the fight for representation is far from over
‘Colony’ director Yeon Sang-ho wants to reinvent the zombie movie The South Korean filmmaker transforms zombies into a metaphor for AI and a world where information moves faster than individual thought
Gregg Araki wants to make sex fun again The filmmaker has always made movies about sex—now, he’s turning his attention to a generation that may be more afraid of it than ever
Stanley Kwan’s lost ‘Center Stage’ has finally come back The filmmaker’s unconventional portrait of two actresses across two decades returns to theaters in a restored director’s cut
Hollywood nearly killed its own underdog story with ‘Coyote vs. Acme’ Almost buried by its studio, the Looney Tunes legal comedy sees the light of day
Tim Riedel talks ‘Ancestral Beasts’ and Indigenous horror The filmmaker behind the psychological horror discusses confronting his own family history, Indigenous trauma, and the complicated path toward healing
Kiyoshi Kurosawa is more than a horror director One of Japan’s most versatile directors talks about making his first samurai film—and why audiences abroad have only seen part of the picture
The madness, mayhem and mustaches return in ‘Super Troopers 3’ More than 20 years after “Super Troopers” became a cult comedy classic, the Broken Lizard team is back with the franchise’s third installment
Happy Sailor Moon Day: Dive into the anime series that inspired the evolution of the Magical Girl Through cosmic Moon Power makeovers and expansions of gender and sexuality, the anime series gave life to the Magical Girls of animation
Katanas out in ‘The Samurai and the Prisoner’ Modern horror maestro Kiyoshi Kurosawa switches gears and unravels a classic mystery