Amir Talai cried several times at his ‘Hazbin Hotel’ Broadway debut
The voice of the fan favorite Radio Demon speaks about his "Annie" history, his character’s status as an ace icon, and his Broadway debut
Amir Talai performing at the "Hazbin Hotel Live on Broadway."
Courtesy of Prime Video
Words by Caroline Cao
When Amir Talai sang “You’re Never Fully Dressed Without a Smile” to audition for a slasher-smiling Radio Demon with a towering murder count, he didn’t know he was getting into a worldwide phenomenon. The San Francisco-born actor, who had grown up doing impressions of cartoon characters since the age of 3, didn’t foresee his fame as the voice of Alastor, the dapper Radio Demon with an old-timey cadence and serial killer credentials, in Vivienne Medrano’s hit adult animated musical series, Hazbin Hotel.
Since its 2019 pilot on YouTube, fans of the Hell-steeped series (whose second season recently ended on Amazon Prime) continue to spawn fanart and fanwork, a high volume illustrating the Radio Demon (voiced by Edward Bosco and Gabriel C. Brown in the pilot, before Talai joined the Prime Video cast). Fans have been enthralled by Alastor, the nightmarish bodyguard of the titular hotel run by the Princess of Hell, Charlie Morningstar (Mean Girls Broadway star Erika Henningsen), to rehabilitate Hell’s sinners in hopes of transporting them to Heaven. It wouldn’t be far off to call the role destiny for Talai, since Medrano caught a bootleg video recording of him performing “You’re Never Fully Dressed Without a Smile” in the 2018 Hollywood Bowl production of Annie, as the radio announcer Bert Healy. Medrano contacted him to audition and the rest is history.
On Oct. 20, at the Broadway Music Box Theatre, a flood of fans—many of them clad in crimson Alastor cosplay—ventured to the free one-night concert, Hazbin Hotel Live on Broadway, to roar for Talai as he performed the show’s Billboard-topping duets, “Stayed Gone” and “Greatest Dad in Hell,” with his Hazbin Hotel co-stars Christian Borle (Falsettos) and Jeremy Jordan (The Great Gatsby), respectively. The concert, a proshot released on Prime Video on Monday, is one drop in Talai’s prolific credits in television, film, stage, and animated productions—which include Curb Your Enthusiasm, Harold & Kumar Escape from Guantanamo Bay, What To Expect When You’re Expecting, and Kung Fu Panda: Legends of Awesomeness. In addition, Talai has been an advocate for representation of marginalized artists in media and has penned columns including, “When A Brown Actor Plays A White Character, Who Really Wins?” and “17 Years After 9/11, I’m Still a Terrorist in Hollywood’s Eyes,” in Buzzfeed and Vulture, respectively.
Alastor (Amir Talai) and Charlie (Erika Henningsen).
Courtesy of Prime Video
I recently sat down with the Radio Demon’s voice actor himself to talk about his original backup jobs if acting didn’t work out, the Annie musical role that paved his path to Hazbin Hotel, meeting asexual fans who adore Alastor as an ace icon, his delight at seeing Alastor’s human past, and crying multiple times on the day he debuted on Broadway.
This interview has been edited for clarity and length, and contains spoilers for season two of Hazbin Hotel.
Caroline Cao: How did you decide, “I want to be an actor?”
Amir Talai: I did so many plays and musicals in high school that it became the dream, but I didn't think it was very likely. My parents encouraged me to have a backup, which I was totally down with, because I was like, “This is never gonna happen.” The backup at first was being a math teacher, and then it was advertising and marketing. But by the time I got out of college, I realized the problem is, at least back then, advertising and marketing was a 50- to 60-hour a week job, which means there's no acting on the side. So I just started working at dot-coms in the Bay Area and acting on the side. And by the time the first dot-com bubble burst in 2000, I was working steadily as an actor.
Alastor (Amir Talai) in "Hazbin Hotel."
Courtesy of Prime Video
CC: How did you end up as the radio announcer in Annie?
AT: I auditioned for Merrily We Roll Along in 2016. The director was Michael Arden (director of Maybe Happy Ending). I booked Merrily (as Joe) and then it went great. Then a few years later, I was with my family in the Bay Area when I got a text from Michael: “Do you want to be fully dressed with a smile at the Bowl?” I was like, “I don't know what you're talking about, but if you're doing a musical at the (Hollywood) Bowl I'm in.” And he just offered me Bert Healy, and that's what started all of this.
CC: And then Vivziepop (Vivienne Medrano) saw the bootleg of you in Annie. The story goes that you didn’t know what you were getting into.
AT: I was told I was auditioning for a musical series based on a popular YouTube (cartoon). And I was like, “I don't really know what that means, sure, but sure I'll audition.” Because I'll audition for whatever. Is it union? Are you paying union wages? Then yes, I will audition. I never, never expected it to blow up.
CC: Do you remember the first Alastor fan art or fan work you laid your eyes on?
AT: I don’t! I probably went to that Hazbin Hotel Reddit. This was before I was announced but after I booked the role, I saw that people were posting fan art. I remember going, “Oh, fun! This has a cute little community of people who love the show. That's good. So it has a built-in audience, so at least when it comes out, some people will watch it.” I knew that the existing fans of the show would watch it. What I didn't know for sure was how new people would find it. That's been pretty amazing for it to blow up beyond its initial audience to this worldwide hit.
CC: One aspect of Alastor is that (as said by Medrano) he’s ace. Rosie (another demon character) calls him “an ace in the hole.” I'm on the asexual spectrum [points pen to myself]. It's interesting for me to see Alastor be a bit of an ace icon, too.
AT: It's pretty great. I didn't know what it meant to be ace before I did this show. I learned a lot about it, and it's really been cool to see how much he means to ace people. I have people who come to my table at conventions all the time telling me that they're ace, that they're aro-ace, and how much it means to have an ace character who is so riveting. It's not necessarily the focus of his character and his personality, but it's one element of him. Growing up in the Bay Area as a minority, being an actor of color (of Iranian descent), I relate to wanting to see myself reflected in the media that I watch—that I take part in—and so I definitely can relate to people being grateful for this character's existence.
CC: This season, Alastor had his ego and body battered. He laughs at Vox for asking him to join his team, and yet, Alastor is tied to a proverbial leash himself. How do you channel all that anger?
AT: I often get asked about how I prepare and how I channel. I don't really know how to answer that because I just dive in. I imagine that the work that I've done as an actor over the last 20 years has made it so that whatever I'm doing emotionally or physically, it now comes fairly easily to me, and I don't need to muscle it. I don't need to figure it out. I just jump in, and it's just there. The great news is that Viv, Sam, and Andrew (the songwriting team Sam Haft and Andrew Underberg) have created such rich material. I don't need to mine this material for more. It's all mined. It's right there.
Alastor (Amir Talai) and Rosie (another demon overlord voiced by Leslie Kritzer).
Courtesy of Prime Video
CC: What was your reaction to seeing Alastor’s (pre-Hell damnation) mortal human form and New Orleans backstory at last?
AT: It's great! Viv drew his human form in some streams early on, and so fans took that and ran with it and did their own fan versions of it. So I had seen it and I loved his human form. I think he's obviously so dapper and so handsome and so—
CC: Naughty (as another demon says in the series).
AT: Yeah, naughty, full of life. There's something interesting about how vivacious he is as a human. His smile in his demon form is obviously a mask that he wears, so it hides whatever he's feeling. (Alastor) says, “Just because you see a smile, don't think you know what's going on underneath,” (in season one). I think you see him a lot more in his human form. What he's really thinking and feeling is more present on his body and his face. That's really appealing.
CC: I see social media discourse now around his human form and his backstory, down to the haircut, melanin, and the racial subtext of his struggle, such as when the rich white guy spills wine on him.
AT: I haven't seen (those conversations) because it's only been a day (since the episode’s release, at the time of this interview), but yeah. That's sort of inescapable in that scene, that he's a little darker skinned and these richer people are clearly white. That's an interesting element visually. It's a neat thing for people watching to read into and take what they want to take from it, even though that (racial aspect) is not talked about (explicitly) in the show. Like, “You can see it, right?” It’s interesting.
Alastor (Amir Talai) in his pre-demon human life as a hustling and rising radio star.
Courtesy of Prime Video
CC: I had the greatest of luck to see your Broadway debut at the concert. What was your reaction to learning that you were going to be a part of that?
AT: It's something that has been talked about since the beginning, right? But there's so many moving parts to a show. I just felt like I don't know if it's ever going to happen, and certainly, as the season two premiere got closer, it was something that was talked about over the summer, but we’ve had some near misses over the last year. I don't know if it was venue issues or money issues or production issues, but there's always these fits and starts in Hollywood that you think something's gonna happen and it doesn't. And so when it suddenly came together in September and we all finally signed on the dotted line, it was pretty surreal and exciting. Getting to do it was a dream come true, and then an honor to be able to do it with all these ridiculously talented people I love spending time with.
CC: What was it like being in that dressing room on Broadway? I saw the Instagram Story with you and co-star Blake Roman (the voice of Angel Dust).
AT: I cried about eight or nine times that day, and two of them were in the dressing room with Blake. One was as soon as I walked into the dressing room and I saw that Blake and I were sharing a dressing room. I started crying because Blake and I have gotten to be really good friends over the last year and a half. We’ve been through a lot together, and to share that space with him literally meant a lot.
From left, Amir Talai, Blake Roman, and Richard Horvitz.
Courtesy of Prime Video
CC: After that Broadway debut, what is your dream role in a play or musical someday?
AT: My biggest dream part is one that doesn’t exist yet. I want to play Harry in the musical of When Harry Met Sally. I think I would do Billy Crystal proud.
Published on November 19, 2025
Words by Caroline Cao