Alisa Xayalith lying down.

Alisa Xayalith needed to go solo to reclaim her narrative

The Naked and Famous' former frontwoman explores vulnerability and resilience through this new chapter of her career

The singer has released four singles in 2024, marking a transformative new era.

Frances Carter

Alisa Xayalith has spent her life bridging worlds. As the daughter of Laotian refugees raised in South Auckland, New Zealand, she balanced cultural traditions with the expectations of a Western upbringing. Later, as the frontwoman of The Naked and Famous, she navigated the high-stakes realm of electropop stardom. Now, as a solo artist, Xayalith is finding her footing in a space that's deeply personal and richly introspective.

Her recent singles, including the tender “Ordinary Love” and the nostalgic “Boys & Guitars,” mark a transformative chapter in her career. These songs are part of a larger project slated for announcement next year, offering a glimpse into the overlapping identities that make up her world. “It’s been liberating to feel like nothing is off-limits,” she says, describing the creative freedom she’s found as a solo artist.

Roots and resilience

Xayalith’s story begins in South Auckland, where her parents rebuilt their lives after fleeing Laos in the aftermath of the Vietnam War. Her father, a political refugee who has never returned to Laos after escaping in the 1970s, worked tirelessly in various roles to provide for the family. Her mother grounded them with warm, home-cooked meals of sticky rice, jerky, and coconut noodle soups. “We didn't even have a dining table for years,” Xayalith recalls. “We’d sit on the floor to eat [in traditional Lao fashion]. But it felt like home.”

Despite her parents’ sacrifices and being the middle child among seven siblings, the 38-year-old Xayalith often felt invisible. “Music was my way of navigating the world and coping,” she reflects. “Singing is a very somatic thing to do. Without me realizing it, it was very healing.” Music became her way to process the challenges of growing up amid cultural expectations and hardships.

Even as a child, she was determined to follow her passion. “I remember being a kid, looking through the Yellow Pages after I wrote my first couple of songs and thinking, ‘How do I record music?’” she says. “I found a studio and called them—just this kid trying to figure it out.” That determination carried her forward, despite frequent moves and the strain of her father's gambling addiction.

A pivotal moment arrived when she enrolled in a government-funded music school in New Zealand. “I had this ambition to learn more about performing, guitar, and songwriting,” she says. There, she met Tom Powers and Aaron Short, with whom she co-founded The Naked and Famous. Their breakthrough track, “Young Blood,” went platinum and debuted at number one on the New Zealand charts. “I thought, ‘Wow, I guess I’m pretty good at this,’” she says.

Music not only gave her a voice but also a way to be seen. What began as an act of survival grew into a calling.

Watching her parents navigate their struggles instilled in her a determination to create something meaningful. Music not only gave her a voice but also a way to be seen. What began as an act of survival grew into a calling.

The Naked and Famous: A hiatus for evolution

When Xayalith stepped onto the global stage with The Naked and Famous, her voice was radiant and commanding, anchoring the band’s electropop anthems. Tracks like “Young Blood” and “Punching in a Dream” captured a generation’s yearning, becoming synonymous with indie-electronic exuberance. Yet, even at the height of the band’s success, she felt a pull toward something quieter and more introspective.

Alisa Xayalith posing for the camera, distorted by a fish eye lens and surrounded by black.

Alisa Xayalith sang for The Naked and Famous for a decade before the band went on hiatus during the pandemic.

Frances Carter

She poured her heart into the band for a decade. “I gave it my all, invested my entire life into this project,” she says. But when COVID-19 disrupted the world, it offered a chance for reflection. “I was able to reexamine my life and what I wanted to do with the time that I was given.”

The pandemic provided the opportunity to take a break from The Naked and Famous, now on hiatus, and to focus on herself creatively. “I wasn’t feeling great about who I was as an artist and a band member. So I listened to my gut and decided to reconnect with the part of myself that I felt like I’d lost,” Xayalith says.

This reconnection began during the creation of Recover, the band’s final album, when she started experimenting with solo songwriting. The result of her solo songwriting is music that balances her gift for shimmering melodies with a more intimate touch—a stark evolution from the anthems of her past. “It felt like the perfect opportunity to fortify myself creatively,” she reflects. In this current introspective phase, Xayalith is carving out space for her own voice.

A solo journey: Artistic liberation

Xayalith’s solo work represents a pivot toward vulnerability. Her debut EP Superpowers, released in 2022, hinted at this shift with tracks like “High Fidelity,” blending ethereal synths with introspective lyrics. Collaborating with producers like Tyler Spry and Benjamin Francis Leftwich, she explored themes of love, resilience, and identity on her own terms. “I had to learn to advocate for myself, to trust my instincts,” she says.

Her recent singles build on this foundation. “Ordinary Love,” co-written with Leftwich and released this fall, celebrates everyday moments in relationships. “Boys & Guitars” dives into nostalgia, reflecting on youthful infatuations with musicians. In “Roses,” released this summer, she uses garden imagery to explore growth and perseverance.

Xayalith released her fourth single of 2024, “Different Light,” on Dec. 6, offering another chapter of the project set to be announced next year.

Cultural identity in music

Xayalith’s Laotian heritage is deeply embedded in her artistry. “Acts of service were how my family expressed love,” she explains, contrasting it with the grand gestures often romanticized in Western media. Her mother’s delicious meals and her father’s tireless breadwinning established a lexicon of love and affection for her in a household where “I love you” was rarely spoken.

Her father viewed success through tangible markers like hearing Xayalith’s songs on the radio or seeing her music videos online. For him, those platforms were where he listened to Lao folk music, and it was hard to reconcile her career with the stability he envisioned for her.

When Xayalith was only 7, her mother died, marking the start of her disconnect from her linguistic heritage of the Laotian language. Moreover, losing her mother severed her connection to her maternal relatives and complicated her ties to her heritage. She understands bits of the Laotian language but never learned to read or write it. “It wasn’t essential for me to survive through that time,” she says.

Despite these challenges, she is candid about her cultural identity. “I never shy away from these kinds of conversations—being Asian, being from Laos, having a New Zealand accent,” she says. “I often welcome it.” Engaging in these discussions adds valuable diversity to the music space, where stories like hers are underrepresented.

A sound all her own

With her solo work, Xayalith has crafted a sonic aesthetic that feels both intimate and expansive. Her songs are grounded yet ethereal, steeped in melancholy but buoyed by hope. They evoke the feeling of stepping into a neon-lit forest—dreamy and textured, yet deeply personal with its loamy freshness.

This evolution stems from her transformative creative process and collaborators who’ve helped shape it. She met Harry Charles in New Zealand during a writing camp called SongHubs. Charles became instrumental in refining her songs and shaping her solo sound. Tyler Spry, her collaborator and romantic partner, was enthusiastic about her vision. “Tyler couldn’t help himself,” she laughs. “He’d hear what we were doing and say, ‘You really need to finish this song—it’s so good.’”

Alisa Xayalith in front of a pink background.

Going solo has allowed Xayalith to be more vulnerable in her music.

Frances Carter

Spry’s belief in her potential has been unwavering. “He’s my biggest champion,” she says. While they often work asynchronously, his encouragement has been a constant source of confidence. “He’ll send me a session and say, ‘You’re capable—you can do this on your own.’ It’s been a lot of growing pains, but the best kind.”

In "Roses," Xayalith employs garden metaphors to delve into themes of healing and personal growth. The song blends introspective lyrics with atmospheric synths, capturing a journey from hardship to renewal. Musically, it showcases her ability to fuse intimate songwriting with expansive production.

Her recent singles build on this foundation. For example, "Ordinary Love" combines warm, acoustic melodies with introspective lyrics, distilling magic from the mundane.

These songs mark a departure from the anthemic scale of Xayalith’s work with The Naked and Famous. They’re made to fill quiet moments. The softness of her vocals pairs seamlessly with shimmering synths and textured beats, creating soundscapes that feel both delicate and expansive.

In this new chapter, Xayalith’s ability to navigate creative challenges and trust her instincts has redefined her sound and reconnected her with the artist she’s always been.

Contrasts and connections

While her music feels like a portal to another world, Xayalith remains grounded in her experiences. Her life is filled with contrasts that shape her artistry and identity.

Her career keeps her in Los Angeles, but her sister lives an idyllic life in New Zealand, tending to a three-acre property with gardens and livestock. In contrast, Xayalith jokes about her lack of a green thumb. “Everything I try to grow just dies,” she laughs.

She recalls her father making rice noodles from scratch or slaughtering chickens in their backyard, resourcefully stretching what little they had. These moments of simplicity remain a grounding influence, shaping the person behind the polished dreamscapes of her music.

Despite her pride in her Laotian heritage, she reflects on the rarity of connecting with fellow Laotians. “I don’t have many Lao friends,” she admits, noting that outside her family, the closest friend she has is a prince from neighboring Cambodia.

Reclaiming her narrative

For Xayalith, this solo chapter isn’t just about music—it’s about reclamation. Reclaiming her voice, her narrative, and the worlds that shape her.

A contrasting intimate quality makes her solo work striking. In The Naked and Famous, her voice was a beacon amidst a collective sound. Now, it’s a light in its own right, illuminating corners of her identity she's now inviting the world to see.

With each release, Xayalith hints that music doesn’t just reflect life—it has the power to reimagine it. Her journey continues to evolve, and she invites us all to join her in this exploration.

Published on December 12, 2024

Words by Sanaphay Rattanavong

Sanaphay Rattanavong is a versatile writer and educator with a deep passion for arts and culture. With a diverse background in arts, culture, mental health, science communication, and technology, his work spans from journalism to fiction writing. He has received various grants and awards for his contributions to the arts and cultural discourse, including the Walker Art Center Twin Cities BIPOC Artist Grant, selected by The SEAD Project (Southeast Asian Diaspora), and the Artist's Initiative Grantee from the Minnesota State Arts Board. He currently resides in Toronto, Ontario. More of his work can be enjoyed at: https://sanaphay.portfolio.site/.