
442: How a Filipino restaurant paved the way for punk music
Mabuhay Gardens in the Bay Area set the stage for acts like Dead Kennedys, Black Flag, and even early thrash metal pioneers such as Metallica
Ness Aquino turned Mabuhay Gardens into a cultural hub for the local Filipino community within San Francisco’s North Beach district.
Photo illustration by Vivian Lai
Words by Ruth Moon Lopez
The 442: A JoySauce column named after the military unit, designed to school you (in all the best ways) on accomplished Asian Americans and Pacific Islanders of the past. Asians have been shaping American history, culture, food, politics, identity, and more for centuries—it’s time we acknowledge what’s been left out of most textbooks.
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More than 50 years ago, a Filipino restaurant began its transformation into the unlikely heart of a musical revolution. Known as Mabuhay Gardens, or “The Fab Mab” to its regulars, the venue at 443 Broadway St. in San Francisco would soon echo with the sounds of gritty punk rock, setting the stage for seminal acts like Dead Kennedys, Black Flag, and even early thrash metal pioneers such as Metallica.
Before it became a cornerstone of the city’s punk rock scene, the building originally served as an Italian men’s social club in 1919 under the name Garibaldi Hall until the 1930s, when it became a jazz and swing hotspot, hosting the likes of legendary performers such as Louis Armstrong. By the early 1970s, it was transformed into a Filipino restaurant and nightclub by Ness Aquino, who named it Mabuhay Gardens (“mabuhay” meaning “welcome” or “long live” in Tagalog). Establishing Mabuhay into a cultural hub for the local Filipino community within San Francisco’s North Beach district, Aquino would book performances by Filipino celebrities, such as Eddie Mesa—also known as the “Elvis Presley of the Philippines”—and singer/actress, Amapola.
However, the venue’s trajectory started shifting when Jerry Paulsen, band promoter and editor of Psyclone magazine, approached Aquino in 1976 to begin booking a few punk rock shows at Mabuhay on typically slow nights. Recognizing the potential to bring in new customers and serve as a space for the subculture, Aquino then struck a deal with rock promoter and television producer Dirk Dirksen to continue hosting punk and new wave bands at the venue, establishing Mabuhay as the go-to spot for punk rock music in San Francisco throughout the late 70s and early 80s.
Mabuhay Gardens quickly evolved into a chaotic, electric sanctuary for outsiders, artists, and rebels — helping define a generation of West Coast counterculture. Local San Francisco bands including Dead Kennedys, The Nuns, and The Avengers found a home there, while national and international acts such as Blondie, Devo, and The Ramones all graced the Mabuhay stage.
The venue also played a role in the rise of Bay Area’s thrash metal scene, hosting one of Metallica’s earliest live performances in 1982. The band’s lead guitarist, Kirk Hammett, who is also of Filipino descent, described Mabuhay as “the CBGB’s of San Francisco,” confessing that “a lot of bands would form on the sly and play at the Mab.” Case in point, Hammett first met fellow band members, Lars Ulrich and James Hetfield, at the Mab.
Though it built a reputation as a concert venue, Mabuhay was also a cultural melting pot that embraced diversity and fostered a sense of community across various entertainment fields, as comedians including Whoopi Goldberg and Robin Williams are said to have also made early career appearances at the venue.
However, in the early 1980s, a rift developed between Aquino and Dirksen over booking practices. Dirksen began booking higher-profile acts at the On Broadway Theater, the venue directly upstairs from Mabuhay. This led to a decline in Mabuhay's prominence. Eventually, Dirksen moved his entire operation to the On Broadway Theater, breaking up Mabuhay’s usual audience, as Dirksen took a lot of the bigger punk acts with him. Mabuhay had hosted more than 3,600 concerts during its operation. After it closed in 1987, following a couple years of barely functioning, the building housed various establishments, including the aforementioned On Broadway Theater, as well as the Velvet Lounge.
While the original Mabuhay Gardens no longer operates, its legacy continues through initiatives such as Mabuhay Gardens Records (USA), a Filipino-founded record label that launched in 2024. Aiming to bridge the Asian punk, hardcore, and metal scenes with audiences in the United States, the label provides a platform for Filipino and Asian artists to gain exposure and perform live in the United States.
While the location has gone through many iterations, it has returned to its Filipino roots, becoming Fame Venue, operated by Filipino American entrepreneur Francesca Valdez. Today, the venue has been renamed Mabuhay Venue, and remains a vibrant space for diverse artistic expressions, further honoring its Filipino roots while embracing contemporary cultural movements.
Through such efforts, the spirit of Mabuhay Gardens lives on, just as its name suggests.
Published on June 25, 2025
Words by Ruth Moon Lopez
Ruth Moon Lopez is a Canada-based journalist with a knack for writing about entertainment, history and intersections between the two. She also stands at 5'0" but this doesn't stop her from reaching new heights. You can find her on Instagram @maythisbeluv and see more of her work at ruthmoonlopez.com.
Art by Vivian Lai
Vivian Lai is an experienced L.A.-based graphic and UI designer with a proven track record of problem-solving for diverse clients across industries. She is highly skilled in design thinking, user experience, and visual communication and is committed to staying up-to-date with the latest design trends and techniques. Vivian has been recognized for her exceptional work with numerous industry awards.